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The creation of a representation official park of nationwide scale and importance is hedged about with a lot of difficulties. It is supposed to be a paragon of beauty and utility while also being an epoch’s monument remaining in place for long decades or centuries. The paper analyses the balance between the beauty and sustainability in the conception and the actual life of eight parks in the realm of Russian culture (Russian Empire, Soviet Union, Russian Federation). That said, one of them (House of Bezborodko) represents an unconsummated project, but one that is typical of its epoch.