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The recent discoveries of the Czech mission show clearly that Abusir formed with Saqqara a single geographical unit in ancient Egypt and that the modern separation of them is outdated. Abusir seems to have played the crucial role as the last area into which the necropolis expanded after exhausting the space occuppied by the Archaic Cemetery of North Saqqara. In fact, it is the last vestige before the move from the area (including Dahshur and Meidum) to Giza at the beginning of the Fourth Dynasty. The tombs of Hetepi and lty, discovered and explored during the past few years, are probably the final representatives of genuine Third Dynasty tomb evolution in the Saqqara-Abusir area which drew its last breath at the beginning of the Fourth Dynasty. These tombs undoubtedly belonged to the upper class in the society of the day, though certainly not to members of the royal family. Their characteristics clearly show exactly what preceded later tomb development at Meidum, Dahshur and Giza.
Some drawings from the >Paper Museum< of Cassiano dal Pozzo and the Berlin Codex Destailleur >D<
(2004)
Alexander von Humboldt’s descriptions of volcanic mountains in his travel journals (Reise auf dem Río Magdalena, durch die Anden und Mexico) show both his reliance on and impatience with literary conventions and travel narratives. Using Goethe’s Italienische Reise and Bürger’s Münchhausen as points of comparison for literary treatments of the volcano ascent, Humboldt’s process of writing is examined. Humboldt shows the failure of the existing discourse and begins to experiment with narratives which fragment and recombine personal and historical modes of writing with, in this case, images from new technical inventions which visualize landscape according to fundamental scientific principles. While the inclusion of scientific prose is relevant, Humboldt’s link to modernity is based on experimental narrative techniques which draw upon changing sets of discourse practices to describe complex realities.